Blasmanjazz

Bio:

BIOGRAFÍA EN CASTELLANO:
Viene de una gran familia de músicos. Desde niño, rodeado de instrumentos y de grupos variopintos que desfilaban por su casa, siempre destacó por su sentido del ritmo y habilidad para la percusión. Con 12 años ya andaba tocando la batería con un grupo Punk, los Spunk Beatles. Más tarde ingresó en una escuela de percusión africana y comenzó a hacer colaboraciones con djs de la zona a la vez que seguía actuando con su grupo. Con el JAZZ como motor, con 16 años comenzó a estudiar solfeo y lectura de partituras para batería compaginadas con clases de Conga Latina, cajón flamenco, darbuka, etc. .. Tras compartir cabina un año en una sala de su comarca llamada VANLU, con infinidad de artistas como JAVI LÓPEZ, WAVESOUND, SOWING PARANOIA, MAKOKI, MENDEZ..., muestra sus primeras creaciones en BEATPORT, BEATSDIGITAL y algunos NET-LABELS. En 2008 y a sus 23 años, el famoso ECHOPLEX, con su vertiginoso sello discográfico polaco, SOLEIL RECORDS, confía en su sonido para hacer una recopilación con artistas de la talla de: PACOU, DAMON WILD, WAVESOUND, DJORVIN CLAIN, TAKUYA YAMASHITA y ROBERTO BARDINI, con un total de 22 tracks, que luego serían repartida por todo el mundo. En poco tiempo comienza a ser escuchado a nivel nacional a través del mejor programa de radio: SIGLO21 en RADIO3. Blasmanjazz se encierra en su estudio y empieza a crear infinidad de variantes de la más pura y fresca electrónica retorciendo melodías hacia el infinito con trabajos emergentes y algo Retro-Digitales. Un día, un promotor de eventos japoneses le escucha en SIGLO21 de RADIO3 y contacta con él para hacer una fiesta en CLAPPER, OSAKA (cuna de la electrónica japonesa). Tras haber pasado por algunos de los mejores clubes de Europa, sigue su carrera fichando por el BOOKING-LABEL de “THE WIRELESS MARIONETTES LABEL”, con cabida en la escena de VALENCIA, IBIZA, BERLIN y LONDRES. También ha actuado en salas como: 13 KALLES, SOMA, TOKORO CLUB, PRIVAMERA SOUND, MAMBO, DUBCLUB (Madrid), STUDIO 54 (Oviedo), COOL ROOM (Gijón), OHJU CLUB (Cádiz), BORA BORA (Ibiza), WEEKEND (Bégica), PLATINUM (Londres), LESSIZMORE (París), etc. En estos tiempos colabora con ALMOUKRI RECORDS STUDIO, desempeñando un papel electrónico en este sello tan peculiar, que nace para todos los estilos musicales, especialmente: JAZZ, BLUES, FLAMENCO y otras MUSICAS DEL MUNDO. Blasmanjazz, disfruta creando en vivo sonidos electrónicos, bajo su aka Blasphemist, con diferentes cajas de ritmos, sintetizadores, moduladores de frecuencia y percusiones analógicas, produciendo los sonidos más vanguardistas y conceptuales fusionados con todo tipo de instrumentos y ofreciendo unos directos que impactan a jóvenes y veteranos de la electrónica. Actualmente es co-propietario de Gramola.Rec. con Dr.Needles, un sello de gran proyección que sitúa sus lanzamientos techno, minimal y house en top ventas, al que han dado su soporte estrellas mundiales como Richie Hawtin, Laurent Garnier, Dubfire, Pig & Dan, Francesco Farfa, Magda, Max Cooper, Alex D'Elia, etc. También cuenta con la colaboración de grandes artistas internacionales como AnGy KoRe, Greg Kobe, Dr.Needles, Andrea Frisina, Lorenzo D'Ianni, Andrea Di Rocco, Alberto Pascual, Tex Rec, Roland M.Dill, The Seekers, Angelo S, Sasha Carassi, Seismal D., Alfonso Padilla, Alejo Loaiza, Mozambeat, Audioprophecy, George Vala, Francesco Doni, Robert Guerrero, Gaga, Massa, ... PARA CONTRATACIONES POR FAVOR CONTACTA EN: sergio@gramolarec.com DEMOS: blasmanjazz@gramolarec.com--------------------------------------------------------------------------------------------- ....BIOGRAPHY IN ENGLISH:.... .. He comes from a large family of musicians. Since childhood, surrounded by instruments and diverse groups that marched on his house, always noted for his sense of rhythm and percussion skills. When he was 12 years he played drums in a punk group, the Beatles Spunk. Later, he joined a school of African percussion and started doing collaborations with DJs from the area while still pounding with his group. With Jazz as engine, and being 16 years old, he began to study Music Theory and scores reading for drums, combining all this with Conga Latin classes, cajón flamenco, darbuka, and so on. Years after sharing booth at a local club called VANLU, with many artists such as Javier López, Wavesound, Sowing Paranoia, Makoki, Méndez, etc., his first creations appeared in Beatport, Beatsdigital and some Net-Labels. In 2008 when he was 23 years old, the famous ECHOPLEX, with its dizzying Polish label, SOLEIL RECORDS, entrusted in his sound to make a compilation with artists like: Pacou, Damon Wild, Wavesound, Djorvin Clain, Taku Yamashita, Roberto Bardini, etc., counting on a total of 22 tracks, which would be then spread throughout the world. In a short time, he started to be broadcasted nationwide, through the best-known radio show in Spain: SIGLO21 in RADIO3. Locked in his study, with his countless variants of the freshest and purest Electronic music, he twists melodies towards infinity with his emerging and rather Retro-Digital works. One day, a Japanese events developer listened to him in SIGLO21 of RADIO3 and contacted him with the intentions to organize a party at CLAPPER, OSAKA (Birthplace of the Japanese electronic music). Having gone through some of the best clubs in Europe, continues his vertiginous career signing for “The Wireless Marionettes Label” bookinglabel, which counts with a place in the scenes of Valencia, Ibiza, Berlin and London. He has also performed at clubs such as 13 KALLES, SOMA, TOKORO CLUB, PRIMAVERA SOUND, MAMBO, DUBCLUB (Madrid), STUDIO 54 (Oviedo), COOL ROOM (Gijón), OHJU CLUB (Cádiz), BORA BORA (Ibiza), WEEKEND (Belgium), PLATINUM (London), LESSIZMORE (París), etc. Presently, he works with ALMOUKRI RECORDS STUDIO, playing an electronic role in that very peculiar label, that has born for all music styles, including: Jazz, Blues, Flamenco and other musics of the world. Blasmanjazz enjoys creating live electronic sounds, under his a.k.a. Blasphemist, with various drum machines, synthesizers, frequency modulators and analog percussions, producing an avant-garde and conceptual art fused with all sorts of instruments and offering therefore an impacting live show. He is currently the co-owner of Gramola.Rec altogether with Dr.Needles, a high projection label that places its Techno, Minimal and House releases on the top charts, which is supported by important stars like Richie Hawtin, Laurent Garnier, Dubfire, Pig & Dan, Francesco Farfa, Magda, Max Cooper, Alex D'Elia, etc. It also counts with the collaboration of a large list of artists such as AnGy KoRe, Andrea Frisina, Lorenzo D'Ianni, Andrea Di Rocco, Dr.Needles, Greg Kobe, Alberto Pascual, Tex-Rec, Roland M.Dill, Mozambeat, The Seekers, Angelo S., Sasha Carassi, Seismal D., Alfonso Padilla, Alejo Loaiza, Javier Carballo, Audioprophecy, George Vala, Francesco Doni, Robert Guerrero, Gaga, Massa, etc. FOR DEMOS: blasmanjazz@gramolarec.com .. .. .. .. .. ...... ...... .......... .. ...... .... ..
CONTACT-BOOKING:
sergio@gramolarec.com

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Influences:

A Guy Called Gerald, Jim Beam, Johnny Cash, David Allen Coe, Hank Williams Sr, Hank III, Patsy Cline, The Fugs, Velvet Underground, The Pogues, Realistic, Wedgepiece, Tom Waits, Dead Boys, Tiny Tim, Foul Existense, Joe Strummer, Abdullah The Butcher, Duane Peters, Antiseen, Rachel & Junk, Wild Man Fischer, The Mothers, Disorderly Conduct, Captain Sensible, Cactus Jack, Lenny Bruce, George Jones, Lou Reed, The 13th Floor Elevators, The Stooges, The Minutemen, Captain Beefheart, Amen, Shane MacGowan, Sleepy LaBeef, The Clash, Daniel Johnston, The Viletones, U. S. Bombs, The Gun Club, Meatmen, Louvin Brothers, Social Distortion, Die Hunns, 999, X, Ramones, The Dubliners, GG Allin, Charlie Parker, Dizzy Gillesespie, Duke Ellinton and his Orchesta, Ella Fitzgerald, Fran Sinatra, Bob Marley, Toots Hibbert, Caribanía, Gondwana, Haile Selassie, Satélite Kingston, Martin Debiasi, Marcus Mosiah Garvey, Nonpalidece, Raggamuffin, Rototom Sunsplash, La Polla Record, Manolo Kabezabolo, Mamá Ladilla, The Ramones, Matthews Herbert, Albéniz, Bach, Barbieri, Beethoven, Chopin, Manuel de Falla, Händel, Mozart, Vivaldi, Verdi, Stravinsky, Sibelius, Puccini, Rachmainov, Motociclón, Obús,* Panzer, Ñu, Cucharada, Ángeles del Infierno, Black Sabbath, Leño, Saratoga, AC/DC, Avalanch, Barón Rojo, Gigatrón, Two Lone Swordsmen, Akaidre, Xihilisk, Astrobotnia aka Ovuca, vex'd, Atom Heart, Venetian Snares, Amon Tobin, To Rococo Rot, Aphex Twin, The exposures, Aproximation, The MFA, Alog, Telefon Tel Aviv, Arovane, Tycho, Autechre, Solvent, Black Dog, Studio pankow, Boards of Canada, Speedy J, Bogdan Raczynski, Sound Tribe Sector 9, Black Dice, Solar fields, Byetone, Soso, Daedelus, Richard Devine, Dancelwerk, Quinoline yellow, Bola, Proem, Capitol K, Prefuse 73, Caribou, Pol Atkinson, Casino Versus Japan, Plaid, Chris Clark, Datach'i, Enduseri, Four Tet, The Flashbulb, Funkstörung, Greetings from tuskan, Huete, Isan, Jega, Kamori, Leftfield, Machinedrum, U-ziq, nimbö cumulus, nobukazu takemura, OOO, Pool Reverse, Orbital, Pan Sonic, Otto Von Schirach, Alex Scheffer, Evan Parker, Alva noto, Brian Eno, Christopher Bissonnette, Bowery electric, Bauri, kid606, Deadbeat, Ulf Lohmann, Fred Frith, Cocorosie, Björ, Kode9, Peter Namlook, [a]pendics.shuffle, 3 Channels, Agnès, Adam Marshall, Yoshimoto, Allan Banford, Akufen, Tolga Fidan, Apparat, Dj Fresh, Axel Bartsch, Wighnomy Brothers, Benny Yasoto, White Trash, Berger Muzik, Speicher, Pan-Pot, Oliver Hacke, Patrick Chardronnet, Anghelo HayaMathias Schaffauser, Mitchel Akiyama, I. A. Bericochea, Alex Eich, Etc...

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